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Showing posts with label Indie. Show all posts
Showing posts with label Indie. Show all posts

Tuesday, 31 March 2015

The Hunt for Good New Music

As a retired DJ and fanatical music fan, I'm always on the hunt for new music, anything that I haven't heard before. Anyone who knows me is aware that I'm unashamedly retro in my music tastes. There's a huge goldmine of music in the past that even a prolific listener like myself has never heard, or maybe heard decades ago and has forgotten about.

But recently, I've started to cast my net around and look for modern and relatively recent music that I missed out on, but that I might like. And it's here that I come up against a big problem. I absolutely despise modern commercial chart music. With a vengeance.

The vast bulk of modern "pop" music is formulaic, unimaginative, homogenized garbage, aimed at kiddies, while weirdly, at the same time, flooding TV screens with music videos containing countless hyper-sexualized images of half-naked young women. It's either that, or hyped up karaoke music by bland, boring X-Factor and Britain's Got Talent artists, who get their fifteen minutes of fame (while Simon Cowell and his buddies rake in the millions) singing turgid, unmemorable songs, which are forgotten five minutes after you hear them.

And then there's the ever-present "rap" and "hip-hop", filling the airwaves with obscene, sexist, mysoginistic, homophobic, foul mouthed 18+ lyrics, in which every woman and their daughter are "hos" and "bitches". This tenth-rate garbage by moronic modern-day so-called "rappers" like Kanye West and 50 Cent, is an insult to the genuine socially conscious rap and hip hop of yesteryear from classic artists like Public Enemy and Grandmaster Flash (and his Furious Five).

And what about the dirge-like, virtually unlistenable, so-called "r'n'b" (actually a crap, pop variation of hip-hop), which has the nerve to have appropriated the title "r'n'b" from genuine classic Rhythm and Blues. B. B. King, Stevie Ray Vaughan, Muddy Waters, Eric Clapton and other great blues artists would be turning in their graves (well, at least the ones who are actually dead).

With the exception of the VERY occasional surprise decent song, there is absolutely nothing in the modern commercial charts for older fans or those with more discerning tastes in music.

However, despite my retro tastes, I'm the first to admit that even though the charts are total rubbish, there is some very good modern music out there. You just have to look hard for it, as you won't find any of it in the charts. There are lots of great bands, mostly totally unknown to the general public, and many of which I'm only just beginning to discover myself. Many of these bands and artists are without any recording contracts or links to the big music companies, and are doing their own thing, playing live, recording their own albums, and bypassing the mainstream music industry altogether, dealing directly with the public via the internet, selling their music as digital downloads, CDs, or vinyl albums, as well as other merchandise such as T-shirts, mugs, badges, etc.

I've only just begun to really hunt for good new stuff in recent months. My usual tactic is to haunt Youtube for interesting new music videos, jumping around from link to link to link. When I find anything that I really like, I follow any available links to their home page or wherever they've uploaded their music to, and I take it from there. Other good places to find good new music are Soundcloud, Bandcamp and Mixcloud. And these are only the tip of the iceberg. There are countless other sites out there, and that's before we even start tracking down the websites of individual bands and artists.

So what have I found in my recent travels? I've been on a bit of a retro-surf, garage, blues binge, so most of my recent finds tend to be of those genres. Some of my favourites are the Aqualads, Southern Culture on the Skids, The Swamps, The Caesars, The Taikonauts, Los Straitjackets, and The Nebulas.

I've also recently acquired the first album by The Everlasting Yeah, which should be of great interest to older indie fans, particularly fans of classic late-1980's/early-1990's indie band That Petrol Emotion, grand old favourites of mine. The Everlasting Yeah are basically the entire membership of That Petrol Emotion, minus lead singer Steve Mack. They've put a lot of time and hard work into this new first album, titled "Anima Rising" and I wish them the best of luck with it.

Reviews of "Anima Rising" and other new stuff from some of the above bands to come in future posts.

Friday, 27 February 2015

CLASSIC ALBUMS: The Breeders - Last Splash (1993)

  1. New Year
  2. Cannonball
  3. Invisible Man
  4. No Aloha
  5. Roi
  6. Do You Love Me Now ?
  7. Flipside
  8. I Just Wanna Get Along
  9. Mad Lucas
  10. Divine Hammer
  11. S.O.S.
  12. Hag
  13. Saints
  14. Drivin' On 9
  15. Roi (reprise)

This is certainly one of the classic indie albums of the 1990's, the second studio album by The Breeders, featuring Kim Deal in the best of her post-Pixies incarnations. This album is most famous for its second track, the gorgeous indie classic Cannonball, which is definitely the best track on the album. But Last Splash isn't a one-track pony either. As a matter of fact, there isn't a bad track on it.

Cannonball is one of the more core commercial tracks, but there are also a few other very catchy songs on the album. I Just Wanna Get Along (very MC5 in parts), Divine Hammer and Flipside are among the best of these, although the others are pretty good also.

There are also a number of excellent weirder or heavier mood pieces, which grow on you with repeated listens. Roi is my favourite of these, although I quite liked Do You Love Me Now?, New Year, S.O.S., Invisible Man (very Jesus & Mary Chain) and No Aloha.

Even my least favourite tracks on the album such as Mad Lucas, Drivin' On 9 and Hag are pretty decent tracks. Overall, a very good album.

Sunday, 20 April 2014

CLASSIC ALBUMS: The Cult - Pure Cult

I’m sitting here, listening to a very good album by The Cult - Pure Cult: The Singles 1984-1995. It’s a cracking album, pretty much the best material released by the band, with the exception of some of their best album tracks, such as “The Hollow Man”. All the top singles are here, from the earliest classics such as “Resurrection Joe”, “She Sells Sanctuary”, “Rain” and “Revolution”, through “Lil’ Devil”, “Wild Flower” and “Love Removal Machine”, to later material such as “Star”, “In the Clouds” and “Coming Down (Drug Tongue)”.

The early material by the band was indie rock, with punkish origins, but from the mid-’80s onwards, the band reinvented themselves as a raunchy rock band in the mold of AC/DC and Led Zeppelin. This gives almost a feeling of listening to two completely different bands as we work our way through this album, something I find curiously refreshing.

Overall, this is an excellent retrospective of the bands singles releases. Great foot-stomping, raunchy, full-blooded R&B based blues rock. A highly recommended album!

Sunday, 24 November 2013

CLASSIC TRACKS: "Damaged Goods" by Gang of Four

I'm listening to this one right now on a various artists double-CD compilation of indie music, FEAR OF MUSIC.

Damaged Goods is one of my absolute favourite Gang of Four tracks, from their first classic 1979 album ENTERTAINMENT, although it had actually appeared previously as the A-side of their legendary first single, the 1978 Damaged Goods EP, which was released on the Fast Product record label. This EP also featured the equally legendary tracks Love Like Anthrax and Armalite Rifle.

Gang of Four incorporated various other genres such as funk, reggae and dub into their stylistic repertoire, which gave a lot of added "oomph!" to their music. Damaged Goods is like all good punk and post-punk - angry, short, and to the point - but it is also more sophisticated than many of its punk predecessors. This track is undoubtedly one of the pivotal post-punk anthems, and had a huge impact and influence on everything that came afterwards. The sheer simplicity of the best punk and post-punk classics like this reminds me so much of the great three chord/sub three minute garage tracks of the mid-to-late 1960s, albeit with large added dollops of anger and social awareness.

My tastes in music are pretty wide-ranging and eclectic, and on occasion I like some overproduced rock, disco and dance music as much of the next guy. But there are times that I just want to have it short, raw and punchy, like Damaged Goods, New Rose, Public Image, Ever Fallen In Love or Pretty Vacant. Heady company, that, and Damaged Goods is deservedly up there among these other classic tracks.

The version I'm listening to right now is the later re-recorded version of Damaged Goods, and the purists would undoubtedly groan and roll their eyes, and assert that the original version, and only the original version on the EP is the real Damaged Goods. And when it comes to music, I have to admit that I'm almost always a purist myself. So I invariably hate most cover versions of classic tunes. But not on this occasion.

I actually prefer this re-recorded version, which is faster and snappier than the slower original EP version. It just seems to be that bit more angry and aggressive, a searing indictment of love and lust. And angry and aggressive is how I feel a good punk or post-punk song should be. Both versions are classic, but the newer one just edges it for me.

Like I said, the purists will surely disagree with me strongly (most of them probably foaming at the mouth), but I don't care! :)